Our June meeting was a slight departure from the norm as we all read books by the same author. Edna O’Brien was our writer of choice and we wanted to look at the themes of her writing.
The Country Girls by Edna O’Brien, published 1960 was read by a number of the group.
I read this book around 1979, so had forgotten most of it. (By the way, I was 19 years old and going through a cultural awakening. I was obsessed with music and Dexy’s Midnight Runners had a hit with ‘Dance Stance’, a song which comments about Ireland and name checks Oscar Wilde, Brendan Behan, Sean O’Casey, Eugene O’Neill and Edna O’Brien among others. It lead me to read some brilliant literature such as Borstal Boy by Brendan Behan, a particular favourite). I found this book charming and funny and it brings to life rural Ireland in the 1950’s. O’Brien’s writing is very engaging, like having a chat by the fire. The thing I found unsettling was the amount of incidents involving the girls and predatory older men. There isn’t just one dodgy character here, there are more than a few. Also O’Brien is very dismissive regarding Mrs Gentleman and her nervous breakdown, which was probably as a result of her husband’s inappropriate relationships. The scene where Mr Gentleman stands Caithleen up is particularly heartbreaking. The most humorous section was later in the book when the girls are lodging with the Austrian couple (Mein Got!), Joanna and Gustav. It was a joy revisiting this story.
The story of Caithleen growing up in rural Ireland in the late 1950s. She has a drunken abusive father. Her mother dies when Caithleen is a teenager, so she goes to live with the family of her best friend, Baba. I found Baba awful: a sneaky, selfish bully, but she seems to be the only friend that Caithleen has. A well-off local French married man, as old as her father, and known to everyone as Mr Gentleman, takes a liking to Caithleen. It soon becomes clear to the reader (but not to the very innocent Caithleen) that he's no gentleman, and over a long period he grooms her. She's infatuated with him; none of the other potential boyfriends or relationships could possibly live up to him. Caithleen and Baba go off to be schooled in a convent. But they hate it, and Baba manages to get them both expelled for indecent behaviour. They come home in disgrace. Soon after, when they've left school, they go off together to the bright lights of Dublin, where Caithleen works in a grocer's shop. The two are no longer girls; from this point they're young women. Caithleen's still in touch with Mr Gentleman, who promises to take her on a romantic holiday to Vienna. But it doesn't happen; apparently Caithleen's father has got wind of it and warned him off. Even at the end, when they're 18, Caithleen is still painfully innocent. When she goes for a night out with a man, her German landlady gives her a warning: "Mind you not fill up with baby," she said. I laughed. It was impossible. I had an idea that couples had to be married for a long time before a woman got a baby. I enjoyed the book and moved on to the second part of the trilogy, called 'The Lonely Girl'. But I found this less entertaining; it seemed to be dragging out the life story of this very innocent young woman. I didn't feel I was learning much new. I'm near the end of it now, and will complete it, but losing interest.
I settled on The Country Girls as it is 'the famous one' and caused a rumpus when it was published in 1960. In fact, it was banned in Ireland for several years. I found an audio book on Borrowbox read by Edna O'Brien herself. Edna O'Brien has a soft voice, which combined with the gentle Irish accent made listening to the audiobook quite difficult as I would frequently drift off! Also, her gentle style of delivery was a real contrast to the descriptions of the different types of abuse in the story. Another differentiation in a similar vein is her descriptions of items in rooms that she seems to focus on. I seemed to listen to quite a few descriptions of tea sets, salt cellars and cardigans! I assume this style is intended as a real antithesis to the abuses. I think reading rather than listening would have been a clearer experience.
The book was published in 1960. Although 'kitchen sink' dramas were starting to be written in England, they tended to be about a more class based oppression. I'm not sure there was any comparable literature describing the life of more working class women. Also, until nearly the end of the century, Ireland was a state dominated by the church. Publishing anything in 1960 that dared to suggest that nuns might not be saintly was quite brave. That's before addressing any of the abuses and entitlements of any of the men. I found the characterisations of the men to be somewhat two dimensional, but for the story, it is the large number of men and the different pressures that they bring. The relationship with Baba was difficult. They were thrown together by circumstance by living in a village, then Baba's family taking Kate in after her mother died, followed by both going to the same convent school. Baba lacked confidence which she played out by constantly gaslighting Kate. I would not have read this book had it not been for the book club. I struggled with the presentation but might have been better had I actually read it rather than listened. Overall, I'm glad I chose it.
A Pagan Place by Edna O’Brien, published 1970
My choice was A Pagan Place. Bit of a Hobson's Choice as it was the only one in 'book format' that I had not read. Set in 1930/40s, and dedicated to Harold Pinter, it is the story of an unnamed girl in her early teens in rural Ireland. It is written in three parts with, annoyingly, no chapter breaks, part one sets the scene of her life, family and family conflicts, community, Church, rural existence etc. Using second person narrative it flits around, rather like a young girl’s thoughts. Clever format in retrospect but not immersive when reading. Part two covers the return of her sister, Emma, the only family member to be named. Her lifestyle is not what would be expected of a good, Catholic girl and has, inevitably, led to a pregnancy. The family, although outraged, pays for her to be looked after, not in a mother and baby home, but away from the village until the premature birth of a baby boy. After giving up the baby for adoption Emma returns to her previous lifestyle. The final part describes the assault on the teenager by charismatic priest, Father Declan. In a small rural community she is seen going with him in his car and by the time she returns home her father has been told, is ready for her and beats her. Using what we would now call bulimia to punish herself the girl volunteers to go to Belgium to become a nun. She is looking back over her life prior to departure.
Girl by Edna O’Brien, published in 2019
I found it a hard read because it's intense from the very start and one horrible thing after another occurs. The tension never lets up. I'm glad I finally got to finish it (I'd read about 68% before but started from the beginning again this time). A worthwhile read but depressing and sad. I recall the criticism of Edna O'Brien for daring to write from the viewpoint of a young Nigerian girl and find that criticism totally unfounded. The book reached a larger audience because of the author and the story should be read and noted as widely as possible.
House of Splendid Isolation by Edna O’Brien, published in 1994
Set in rural Ireland, the book looks at the frustration experienced by women who want more than the limited life on offer. Women are meant to be subservient, trapped by marriage and their qualities likened to those of cows in a farmer’s herd. Rape within marriage is brutal and even a visit to a doctor is a humiliation and an abuse. Life is lonely and boring. O’Brien also looks at the violent history of Ireland and of those who take up the fight for independence. One such freedom fighter breaks into the isolated house of an elderly woman and holes up there whilst recovering from injuries. The story is bleak, demonstrates the harshness of life, especially for women and is a depressing read.
In Summary
O’Brien’s works definitely fall into the category of recurring themes. Rural Ireland, the material and psychological poverty of women, the influence of alcohol and the abuse visited on women due to living in a patriarchal society that dovetails with a patriarchal Church. There is the need to escape to the bright lights of Dublin, only to fail and return home. There are the double standards placed on men and women when there is a pregnancy outside of marriage. The books are very much of their time and it is easy to see why she was denounced from the pulpit.
Now on to other books we read during May...
Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (Literary Fiction)
Think ‘Sliding Doors’, where two people meet and meet again and how their lives converge and diverge. Sam and Sadie came from the same town and they meet again as students at Harvard. They join forces and become highly successful in the world of gaming. They are like magnets that repel each other and yet, love always pulls them back together. The book explores friendship, love, the highs of success and the lows of failure and the importance of forgiveness and redemption. It is an enjoyable read, even if you don’t get the language of gaming.
Dream Count by Chimamanda Ngozi Adichie (African Literary fiction)
It is 10 years since her last book, ‘Americana’ was published, so having to join Culcheth Library’s queue and wait a further 5 weeks to get the book didn’t seem to make much difference. The wait, however, was well worth it! To say I enjoyed reading this book is a massive understatement. This is a joy. The story is about the lives of 4 African women which interconnect in some way. Adichie is always poking a stick into you, asking you questions and asking you to think about issues both deep and not so deep (not everyone may like this?). She is outrageously funny and her observations of behaviour are always completely ‘on the money’. She clearly loves her home country of Nigeria but not in a rose tinted specs way. An incident in the book where one of the characters is raped is based on a real incident. Adichie makes the point that if this incident had occurred in Nigeria (rich, prominent man rapes hotel chamber maid) it would never be investigated or taken seriously and the rich man would just pay people off. It was great to meet these 4 women, learn about them and find out about what made them tick. I could not recommend this book enough. 4.9/5.
The Paris Express by Emma Donahue (Historical Fiction)
Donahue’s writings have covered a variety of settings and in this book, we have an historical event fleshed out with fictional characters and dialogue. The disaster recounted is a true event, with surreal photographs that capture the chaos. Some of the passengers aboard the train are real, whilst others are there to flesh out the plot. Members of parliament are rushing back to Paris for an important vote whilst a young anarchist is prepared to wreak havoc. A woman is trying to convincer her boss that a move from still photography to moving images is a vital next step in their business. A medical student is convinced a child passenger maybe seriously ill. The crew of the train act out their roles perfectly but we see them at their most real when they are interacting with each other. The tension mounts and descends, only to rise again. The ending is not what you might have expected.
Air by John Boyne (Irish/Contemporary Fiction)
The final book in the Water, Earth, Fire and Air series. Not nearly so disturbing as Earth and Fire and the main theme is parent/teenage child relationship. Returns to the island which features in Water. Brief mentions of several characters from the series. Hard to say more without spoiling the read for others.
The Light of Amsterdam by David Park (Literary/Irish Fiction)
This book was a good find at the Book Cycle shop. (Oh how I miss it!) Set in Belfast, it tells the story of three sets of people who are going to Amsterdam. One is a jaded university art teacher who is heading off to see Bob Dylan in concert. He wants to reconnect to his youth in order to hide from divorce. He ends up taking his son, a troubled teenager, to see if they can connect in any way. A single mum has struggled to provide her daughter with the best of everything and the latest thing is her wedding. She has never been on a plane, doesn’t like partying and is devastated when she learns that her daughter is going to ask her father to give her away, the same father who walked out after her birth, never to return. A middle aged couple are taking a much needed break from their very successful garden centre business and both are taking stock of their life choices. These sets of people bump into each other on the plane, in the squares and museums of Amsterdam, where the ordinary seems important. A really good read.

